Sometimes, all you need is a little bit of synth pop perfection. Ennui mastered this form of music years ago on 2011′s Formation of Tides. Finally they’ve re-emerged with the upcoming release Telepathic Beat. New single “Summer of Love” hits that sweet spot of dreamy pop that recalls classic Orchestral Manoeuvres in the Dark, or more recently Cut Copy’s more ethereal tunes.
Telepathic Beat Tracklist:
(out 9/23 via Mush Records).
2. Feel It
3. Jump Back
4. Summer of Love
5. Telepathic Beat
6. Turning Point
7. Over and Over
9. Weight of the World
If you’re like me, you miss Superdrag. Well, yearn no more, because former Superdrag members John Davis and Brandon Fisher have returned (along with drummer Nick Slack) to form The Lees of Memory. While their certainly not a full revival of the Superdrag sound, The Lees of Memory offer a new shoegaze-heavy version of John Davis’ wonderful songwriting.
A new Ghastly City Sleep album is finally on the way. It’s been a while, but with the arrival of new single “White Owls,” comes the promise of Lulling Skulls this October on Magic Bullet Records. A little light seems to have cracked through the dark cave of which Ghastly City Sleep has mainly hidden beneath.
Generationals have a new record, Alix, due out September 16th on Polyvinyl. “Gold Silver Diamond” is the first single from the record.
GENERATIONALS – 2014 TOUR DATES
OCTOBER 07 – Houston, TX – Fitzgerald’s Downstairs *
OCTOBER 08 – Dallas, TX – Prophet *
OCTOBER 09 – Baton Rouge, LA – Spanish Moon *
OCTOBER 10 – Atlanta, GA – Drunken Unicorn *
OCTOBER 11 – Washington, DC – U Street Music Hall *
OCTOBER 12 – Brooklyn, NY – Music Hall of Williamsburg *
OCTOBER 15 – Birmingham, AL – The Bottletree *
OCTOBER 16 – Hattiesburg, MS – Thirsty Hippo *
OCTOBER 17 – New Orleans, LA – One Eyed Jacks *
OCTOBER 28 – Kansas City, MO – Record Bar
OCTOBER 29 – Bloomington, IN – The Bishop
OCTOBER 30 – Chicago, IL – Thalia Hall
NOVEMBER 02 – Minneapolis, MN – 7th Street Entry
NOVEMBER 12 – Los Angeles, CA – Troubadour &
NOVEMBER 13 – San Francisco, CA – The Chapel &
NOVEMBER 15 – Seattle, WA – Crocodile &
NOVEMBER 16 – Portland, OR – Doug Fir Lounge (early show/all ages) &
NOVEMBER 16 – Portland, OR – Doug Fir Lounge (late show) &
NOVEMBER 17 – Vancouver, BC – Biltmore Cabaret &
* = Arum Rae supporting
& = Springtime Carnivore supporting
I guess it’s only natural that the reunited Afghan Whigs had been as overlooked as the 90s Afghan Whigs. Among all of the reunions that have happened over the past few years, this one seemed to get very little hype, but produced a record worth of the legend of the band. And maybe that was the problem. Where many reunions have led to huge letdowns, Do To The Beast is a logical continuation from where the band left off with 1998′s 1965. And “Matamoros” is one of the best examples of Greg Dulli and co’s continued brilliance.
Love this guy’s lo-fi soul. First new single from Willis Earl Beal’s upcoming album, Experiments In Time, available on August 8th 2014.
Bohren & Der Club of Gore
1. Im Rauch
2. Bei rosarotem Licht
3. Fahr zur Hölle
5. Ganz leise kommt die Nacht
6. Segeln ohne Wind
8. Verloren (alles)
9. Komm zurück zu mir 9:50
Fading into the darkness, never to be heard from again.
I’ve heard that this is a boring, monotonous record. Well, I’m probably a boring person. So, that might begin to explain why a random listen left me so enraptured. Completely unfamiliar with this German dark, ambient jazz group, I have no reference points to their past to compare it with. The slow, minimal compositions work to created a deeply haunted environment that wouldn’t feel out of place in a David Lynch film.
…And Then You Shoot Your Cousin
Label: Def Jam
1. Theme from the Middle of the Night (performed by Nina Simone)
2. Never (featuring Patty Crash)
3. When the People Cheer” (featuring Greg Porn)
4. The Devil (performed by Mary Lou Williams)
5. Black Rock (featuring Dice Raw)
6. Understand (featuring Dice Raw & Greg Porn)
7. Dies Irae (performed by Michel Chion)
8. The Coming (featuring Mercedes Martinez)
9. The Dark (Trinity) (featuring Dice Raw & Greg Porn)
10. The Unraveling (featuring Raheem DeVaughn)
11. Tomorrow (featuring Raheem DeVaughn)
He sat back and reflected upon a life caught in the endless cycle of hustling to survive the day to day grind.
There are tracks on Undun that pretty much foretold what would come on their eleventh studio album, but nothing The Roots have done has ever been quite as stark and nuanced as …And Then You Shoot Your Cousin. Never one to be pinned down, this is likely The Roots most unique stylist shift since Phrenology, and also arguably their most rewarding. Previous records like Undun and How I Got Over mainly showcased The Roots in their comfort zone mixing soul, hip hop and jazz with intellectually gripping storytelling. They’re virtually perfect records, but weren’t pushing boundaries quite as much as their greatest records. Like any stylistic shift, …And Then You Shoot Your Cousin will be polarizing among fans. If you arrive to it hoping for more of the same, you could be disappointed.
A lot of the songs are built on bleak piano melodies that wouldn’t be out of place on a Tori Amos record. They set a very dark, reflective tone for their self-described satirical look at violence in hip hop and American society overall. “The Dark (Trinity)” and “When The People Cheer” are not just album highlights but two of the best tracks The Roots have ever released.
The Future’s Void
02. So Blonde
07. When She Comes
08. 100 Years
10. Dead Celebrity
Frayed wires send electrical charges through her spine.
“So Blonde” is a throwback to the great 90s female singers that combined sweet with a rough around the edges attitude that basically said “I’ve got a crush on this boy, but he better not think he can fuck me over.” And that’s pretty much the spirit of EMA’s latest release, The Future’s Void. For all the pop hooks, there’s plenty of raw nerves that give each and every track a sense of human vitality. it’s the kind of record that should please Yeah yeah Yeahs fans who think the band lost their edge over the years. Taking cues from the industrial music playbook, there’s a machine-like aesthetic to The Future’s Void, but EMA maintains enough human emotion to avoid falling into the realm of soulless robotic terror. Album highlight “Smoulder” utilizes vocal distortion and feedback effects to intensify the aching ballad into something special.
Originally written by Burt Bacharach and Hal David, and performed by Dionne Warwick, Julia Holter’s cover of “Don’t Make Me Over” is a colossal beauty!
A new double A side 7″ from Julia Holter set for release on August 19 (North America) / July 28th 2014 (Rest of the world).
A Don’t Make Me Over (Written by Burt Bacharach / Hal David; originally performed by Dionne Warwick) LISTEN: bit.ly/dontmakemeoversc
AA Hello Stranger (Barbara Lewis) LISTEN: bit.ly/hellostrangersc
Pre-order and receive an instant download of both tracks
In the clouds he freely floated above all that which once brought immense pain.
The further down the Talk Talk-influenced rabbit hole that The Antlers fall, the less exciting they’ll become to much of their original audience that stepped aboard when Hospice blew up. Burst Apart was clearly the transitional effort leading to Familiars. it’s hard not to miss the energy and vulnerability of their earlier releases, but The Antlers make up for it with the development of their musical sensibilities. Familiars is gorgeous, spacious, and filled with an atmosphere not dissimilar to Talk Talk’s final two albums. The mood remains peacefully adrift in the clouds with tensions hardly rising beyond a whispered cry. This lack of tension keeps Familiars from reaching Spirit of Eden‘s heights, but it’s a beautiful album regardless, and one that should age gracefully.
RIYL: Talk Talk, Slowdive
Label: Rough Trade
2. Keep It Healthy
3. Love Is to Die
8. Go In
9. Feeling Alright
Through the thick fog, a colorful display of lights seductively shined through, luring the convoy astray.
Released way back in January, Warpaint’s sophomore effort is already a distant memory in the age of the internet which cuts away at the shelf life of anything in its path. When people were raving about Warpaint’s debut The Fool, I felt like one of the few who didn’t find love at first listen. Naturally, Warpaint has been far more appealing to me and yet hasn’t gotten nearly as much love from the press. The band seems to be at their best when combining ethereal vocal with poppy rhythms. I cannot help but think of a certain classic female-fronted 4AD band covering the Slits most groove oriented material (or ESG for that matter). Like a hazy fog of color, the songs somewhat blend into each other, which keeps it flowing seamlessly, but may also take away from the ability of individual tracks to stand out.
Favorite songs: Love Is To Die, Disco//very, Son
RIYL: ESG, Cocteau Twins, Mazzy Star
From the city of Chicago, Walking Bicycles have returned with a claustrophobic beast of an album. Their latest single “Eyesore” a fast paced buzz saw cutting through a dense wall of sound.
To Him That Wills The Way Tracklisting:
1. Impending Doom
4. Vitamin Z
5. War Paint
6. Faster Than Light
8. The Messenger
Upcoming Tour Dates
6/20 – Chicago, IL – The Hideout Inn
8/11 – Chicago, IL – The Empty Bottle (Album Release Show)